
Why Your Painting Looks Better in Your Head
In this episode I reflect on the frustrating gap that often exists between the painting we imagine and the one that actually appears on the surface. I talk about how imagination has no physical limitations, while painting is always a negotiation with materials, decisions, drying times, colour, texture and process. I explore how this gap isn’t necessarily evidence of failure, but proof that our eye is developing and reaching toward something more nuanced. The goal isn’t to force a painting to become the exact image or feeling we first imagined. Instead, it’s about staying responsive to what begins emerging through the process itself.



