Full Stack Creator

Hosted by Tyler Stalman

Technology Society Culture Arts

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Episodes

172

Latest episode

Aug 2026

Language

EN-US

About the show

Formerly The Stalman Podcast, FSC is a practical podcast about building a creative career end-to-end, covering the tools, workflows, and business decisions behind photography, video, and content creation.

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60 recent

August 11, 2026Episode 16952 min

169: State of the Camera Industry: Part 2

Most camera companies make something great in 2026, which is why choosing one has become so hard. After covering Sony, Nikon, and Canon in part one, we looked at the brands taking less obvious paths. Fujis are cameras people actually want to carry. Great JPEGs, fun film simulations, and a commitment to APS-C and GFX instead of full frame. Lumix offers some of the best value in hybrid cameras now that its autofocus has caught up. Leica is having incredible sucess with the Q series. OM System keeps the original promise of Micro Four Thirds alive with small lenses, rugged bodies, and excellent reach, but its aging sensor technology is becoming hard to ignore. Hasselblad delivers a more refined shooting experience than GFX but you pay for it in price and enormous files. DJI continues to push drones, compact cameras, and stabilization forward. And Blackmagic is easy to overlook if you only follow hybrid cameras, but it remains deeply embedded in live event productions. Full disclosure: we’ve worked with Lumix and Hasselblad, and some of the cameras discussed were provided as loaners. There isn’t one winner here. These brands make sense for different people, which is more useful than pretending one spec sheet can settle the argument.

August 3, 2026Episode 16842 min

168: State of the Camera Industry: Part 1

Breaking down the modern camera landscape now that nearly every major system now has a strong option, but each excels in different ways. Canon’s reliability and professional reach vs Sony’s lens lineup, Nikon’s ergonomics RED acquisition.

July 24, 2026Episode 16731 min

167: Reaction to the Sony FX5

Based on early reviews rather than hands-on use, this episode assesses how the Sony FX5 moves beyond the FX3 with internal RAW, Open Gate, CineAlta tools, a larger articulating display, and a detachable EVF. It also weighs important trade-offs: no internal ND filters, Open Gate initially limited to RAW, 32-bit float tied to the handle, and incomplete anamorphic support. The result is a strong fit for Sony-based freelance cinema shooters and crews, but a less natural choice for hybrid photographers, wedding shooters, and solo creators who need a single all-purpose body.

July 16, 2026Episode 16634 min

166: Canon R6 V: Pretty great, kinda weird

The Canon R6 V is a capable camera that raises some questions about how much form factor maters and how much should your existing gear ecosystem shape the decision. Where does Canon's R6 V sit in the video and photo lineup, and most of all, who is this camera for?

June 13, 2026Episode 16554 min

165: Creative Pros React to Apple's WWDC26 Keynote

Recorded at Apple Park with Adam Lisagor, this conversation gets into what stood out from WWDC26 beyond just the feature list. It covers the looser, more human feel of this year’s keynote, what it’s like shooting in Apple Immersive Video, and why Apple’s new Photos tools feel both exciting and a little uncomfortable. Spatial Recompose, Expand, and Cleanup open up a bigger discussion about AI, photography, memory, and how much a photo can change before it stops feeling real. The conversation also touches on the “Snow Leopard” vibe of the release, and why vibe coding might really matter for creative work.Special Guest: Adam Lisagor.

June 12, 2026Episode 16435 min

164: Apple Explains Spatial Reframing

Apple’s latest Photos app updates bring a new level of AI powered editing directly into the iPhone experience, including tools for spatial reframing, extending the edges of an image, and removing more complex distractions with Cleanup. In this interview, Apple’s camera team explains how these features use depth estimation, Gaussian splatting, private cloud compute, and new image models to make advanced edits feel simple while still preserving the original photo as much as possible. The conversation also covers Apple’s approach to privacy, its collaboration with Google on model foundations, and the use of metadata and SynthID watermarking to identify AI generated edits.

May 28, 2026Episode 16331 min

163: The Great Frame Rate Debate

Frame rates are one of those video settings that can seem more complicated than they need to be, partly because different creative worlds use them differently. Movies are still usually associated with 24fps, which comes from the history of film and the minimum frame rate needed to create convincing motion without wasting film stock. Over time, that look also became tied to narrative filmmaking, because we are used to seeing scripted stories presented that way. For online video, 30fps often makes practical sense, especially when the goal is to clearly show real products, screens, interfaces, or everyday motion. It can feel a little more direct and realistic than 24fps without going all the way into the very smooth look of 60fps. For YouTube, social platforms, tutorials, tech videos, and other reality-based content, 30fps can be a very sensible choice. 60fps has real uses too, but it is not automatically better. It can be useful for sports, gaming, home videos, fast-moving kids, travel moments, or anything that might need to be slowed down later. The tradeoff is that it usually creates larger files, needs more light, and has less motion blur, which changes the feeling of the footage. In lower light, that can mean more noise or heavier noise reduction, especially on phones. Higher frame rates are mainly useful for slow motion, but they also come with technical considerations. In regions with 50Hz lighting, 100fps may be a better choice than 120fps to avoid flicker. PAL, NTSC, and odd frame rates like 23.98 and 29.97 can still matter in certain workflows, especially when mixing cameras, timelines, and audio. There is no single correct frame rate for everything. Each one has a purpose, and it helps to understand what you are gaining and giving up when you choose it.

May 21, 2026Episode 16236 min

162: Holding wireless mics is dumb

The real reason influencers hold their mics like that

May 14, 2026Episode 1611 hr 1 min

161: Ranking EDC Cameras, with David Imel

We're joined by special guest David Imel to rank and debate the most popular compact and everyday carry cameras, including the Fujifilm X100VI, Ricoh GR series, Leica Q3, Sigma BF, Lumix S9, OM-3, Osmo Pocket, and more. They break down which cameras genuinely deserve the hype, which are overrated, and why compact cameras have become one of the biggest trends in photography and filmmaking again. Watch the videoSpecial Guest: David Imel.

May 7, 2026Episode 16047 min