The Cello Sherpa Podcast

Hosted by Joel Dallow

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Episodes

141

Latest episode

Jun 2026

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EN-US

About the show

Do you dream of someday getting to perform at Carnegie Hall, or wonder what it takes to be a professional musician? The Cello Sherpa Podcast is for anyone who enjoys the tales and scales in the life of a classical musician, or for the young classical musician who dreams big! We explore all aspects of the climb to the summit from student to the professional stage! Joel Dallow, the Cello Sherpa, interviews experts in the field covering a wide range of topics surrounding this challenging career choice, and sharing inside stories and advice on every aspect of this storied profession. A resource for many, or a place to tune in for interesting stories about this fascinating way of making a living. For comments, topic suggestions, or more information about the services we provide, please visit www.theCelloSherpa.com You can also follow us on Instagram, Facebook, TikTok, YouTube and Bluesky @theCelloSherpa

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60 recent

June 12, 2026Episode 1228 min

"Called Up to the Majors: Orchestra Fantasy Camp" - An Interview with Conductor Nicholas Hersh, Principal Conductor of the Baltimore Symphony Academy

You’ve heard of side-by-side concerts, but what happens when adult amateur musicians don’t just drop in for a night, they move into the orchestra for an entire week? We sit down with conductor Nicholas Hersh to unpack the Baltimore Symphony Academy, a rare program where participants rehearse and perform shoulder to shoulder with Baltimore Symphony Orchestra musicians in a true “fantasy camp” for orchestra lovers.We talk through what the week actually feels like: immediate sectionals, deep coaching from BSO players, chamber music options, multiple rehearsals that build real ensemble habits, and a final showcase concert that brings it all together on a major stage. Nicholas explains the tricky planning behind the scenes, from managing oversized wind and brass sections to pairing participants with professionals on the stand, and he shares how the mentoring culture changes the energy for everyone in the room.Then we go bigger. Why does this kind of lifelong music making matter right now? Nicholas makes the case that playing music together may be one of the most human things we can do, and that orchestras can serve their communities by creating serious, joyful spaces for people who play for love. We also close with practical advice for young musicians: build a wide tool belt, stay open to new genres, and give your career more than one path forward.If you enjoy stories about orchestral life, conducting, adult music education, and the real purpose of classical music, subscribe, share this with a musician friend, and leave a review so more listeners can find the show.For more information on Nick: https://www.nicholashersh.com/You can also find Nick on Instagram: @nicholashershFor more information on the Academy: https://www.bsomusic.org/education/academy/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

May 29, 2026Episode 1133 min

“From Vision to Commission” - An Interview with Cellist Seth Parker Woods, International Soloist, Faculty, USC Thornton School of Music

A cello career can begin in the most unlikely place and still end up on the world’s biggest stages. We sit down with acclaimed cellist Seth Parker Woods, a fearless advocate for contemporary classical music and a leading voice for commissioning new works, to trace the real steps behind a life in music: the early spark, the teachers who mattered, and the moment the path starts to click.We talk about what draws him to living composers, why electronics and electroacoustic experimentation can expand the cello’s voice, and how you build “performance practice” when a piece is brand new. Seth also gets candid about the parts musicians rarely say out loud, including what to do when you are committed to a piece that does not fully resonate, and why professionalism still means putting your best foot forward for first hearings and recordings.From there, we dig into his albums and the storytelling choices inside them. Seth shares the meaning behind From Ordinary Things, inspired by Toni Morrison’s poem “Shelter,” and how works by André Previn, George Walker, and Tania León connect to lyricism, identity, and community. We also explore Difficult Grace, his genre-bending, autobiographical project that puts him on stage as cellist, narrator, and movement artist, and what that kind of production teaches you about freedom, pressure, and pivoting fast.We close with an honest conversation about representation, being a Black cellist in classical music, and why access to instruments, teachers, and school programs shapes the entire pipeline. If you care about the future of music education, new music, and sustainable musician careers, this one will stay with you. Subscribe, share this episode with a musician friend, and leave a review so more listeners can find the show.For more information on Seth: https://sethparkerwoods.com/You can also find Seth on Instagram: @sethparkerwoodsIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

May 15, 2026Episode 1035 min

"Seven Feet Long and Nearly Silent" - An Interview with Cellist Matt Haimovitz, University of Minnesota Twin Cities and Pianist Christopher O'Riley, Former Host of NPR's From the Top

Cello and piano can be a brutal matchup when nobody makes room, but when the balance is right it becomes one of the most revealing duo formats in music. We sit down with cellist Matt Haimovitz and pianist Christopher O’Riley to trace how their partnership started, why it clicked so fast, and what they’ve learned from years of turning rehearsal into a kind of shared research lab.We talk about building programs that cross borders without losing rigor, from Shuffle Play Listen to projects that pull ideas from Beethoven, contemporary music, and arranged songs by artists like Radiohead. Chris shares the pianist’s responsibility for momentum and for protecting the “lyric impulse,” and Matt explains how true collaboration feels less like compromise and more like testing ideas until the music tells you what it needs.Then we go deep on Bach Dialogues: Bach sonatas reimagined with a five-string Baroque cello piccolo and the clavichord, an instrument Bach loved for its dynamic control and string-like touch. They unpack the realities of gut strings, pitch standards like A=415, why the clavichord is both expressive and famously quiet, and how modern recording and modeling technology can help bring an “impossible” instrument pairing to life onstage and in the studio.If you care about chamber music, historically informed performance, Bach interpretation, or simply how great musicians listen to each other, this conversation is full of practical insight. Subscribe, share this with a musician friend, and leave a review so more listeners can find the show.For more information on Matt: https://www.matthaimovitz.com/You can also find Matt on Facebook and Instagram: @MatthaimovitzYoutube: @MatthaimovitzFor more information on Chris: https://christopheroriley.com/You can also find Chris on Facebook and Instagram: @christopher_oriley_Youtube: @ChristopherORiley360To download "The Bach Dialogues" https://www.pentatonemusic.com/product/the-bach-dialogues-digital-only-album/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

May 1, 2026Episode 937 min

"Playing Outside the Bach(s)" - An Interview with Cellist Dorothy Lawson, Artistic Director and Founding Member of ETHEL

One missed signup and a burst of kid-level courage can set an entire life in motion. Cellist and composer Dorothy Lawson grew up in Toronto surrounded by classical music and strong school music programs, but she didn’t “choose” cello in some grand, cinematic way. She simply chose to participate a day late, and the next opening happened to be cello. From there, the path becomes a masterclass in how musicians are formed: early access, social learning, and the kind of training that turns curiosity into craft.We also get into the part of music that’s harder to explain but easier to feel. Dorothy shares research from a university residency where heart-rate monitors track performers and audiences in real time, showing surprisingly synchronized rises and falls. It’s a powerful lens on why live performance matters, why vibrations and attention change a room, and why the concert hall can still be a place of real human connection even in a distracted age.From Vienna to Juilliard to New York City, Dorothy breaks down how NYC can sharpen an artist, and how that environment helped shape Ethel, the genre-bending string quartet she co-founded. We talk contemporary classical music, crossover language that welcomes new listeners, collaborations that center Native American composers, and the blunt economics that made classical programming feel predictable until presenters and artists started taking risks again. If you care about chamber music, music education, Juilliard, New York artistry, and the future of the string quartet, you’ll leave with both ideas and practical perspective.Subscribe to The Cello Sherpa Podcast, share this conversation with a musician friend, and leave a rating or review so more listeners can find the show.For more information on Dorothy: https://ethelcentral.org/dorothy-lawson/You can also find Dorothy on Facebook and Instagram: @ethelcentralYoutube: @ethelcentralIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

April 17, 2026Episode 828 min

"Building One Measure at a Time" - An Interview with Cellist Ole Akahoshi, Assistant Professor, Yale School of Music

A kid gets asked to “play a scale” by one of the greatest cellists who ever lived and has no idea what a scale is. That moment could have ended in embarrassment and retreat, but for Ole Akahoshi it became the beginning of a lifelong education in craft, taste, and what it really means to make the cello sing.The Cello Sherpa Podcast Host, Joel Dallow, sits down with Ole Akahoshi, cellist and faculty at the Yale School of Music and Manhattan School of Music Prep Division, to trace his path from a music-filled childhood in Germany to studying with Pierre Fournier in Geneva. Ole shares what Fournier was like in lessons, what got written into his parts, and why those markings still matter. We also talk about the voice behind tone production, how phrasing and “good taste” shape interpretation, and why some technical ideas only click years later.From there, we shift into Ole’s teaching world at Yale, including how the undergraduate studio fits into Yale’s unique setup, and what he listens for when a student is chasing speed and flash. Ole lays out practical fundamentals like breathing, balance, and tension and release, plus a teaching philosophy built around curiosity and better questions. We also get his honest take on competitions, judging, confidence, and a pair of career-defining prompts he asks every freshman: who are you, and what do you want?If you enjoyed this conversation, subscribe, share it with a cellist or teacher, and leave a review so more musicians can find the show. What’s one foundation you want to rebuild in your playing?For more information on Ole: https://music.yale.edu/people/ole-akahoshiIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.com

April 3, 2026Episode 736 min

"No Drums, No Frets" - An Interview with Cellist Tommy Mesa, International Soloist, Faculty, Manhattan School of Music

He picked orchestra because he thought there would be drums and that mix-up changed his life. Cellist Tommy Mesa joins us to trace the real arc from an accidental start in Miami to major career milestones, including joining the Manhattan School of Music faculty, winning the Sphinx Competition, and earning top honors like the Avery Fisher Career Grant. Along the way, we talk about what makes a classical music career sustainable when you don’t begin at age four and how the right environment can accelerate growth.We also get a front-row look at high-pressure professional life: Tommy shares what it’s like to prepare massive repertoire on tight timelines, and he walks through the practice planning habits that keep him steady. We dig into competition preparation, performance anxiety, and why he believes you play your best when you focus on communicating ideas rather than chasing prizes. His advice is specific and usable, from writing a minute-by-minute practice plan to pairing technique work with the key demands of your current repertoire.Community is another big theme. We talk about the Sphinx Organization as more than a competition, the importance of mentorship and peer networks, and how identity and Cuban American family history shape the way Tommy approaches opportunity. We close with what’s next for him, including commissioning new music like a Michael Abels cello concerto and an immigrant composer project designed for both concert programming and recording.Subscribe for more conversations for advancing cellists and serious classical musicians, share this with a friend who needs a practice reset, and leave a review so more listeners can find the show. What part of Tommy’s story hit closest to home for you?For more information on Tommy: https://tommymesa.com/You can also find Tommy on Facebook and Instagram: @Tommy_j_mesaYoutube: @TommyMesaIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

March 20, 2026Episode 642 min

"The Dynamics of Equity" - An Interview with Stanford Thompson, Executive Director of Equity Arc

Classical music can change a life, but it can also quietly decide whose life gets changed. The Cello Sherpa Podcast Host, Joel Dallow, sits down with Stanford Thompson, founder of Play On Philly and executive director of Equity Arc, to talk about the moment he realized music isn’t neutral and why “work hard” is only part of the story when access to training, instruments, time, and insider mentorship is so uneven.Stanford takes us from a childhood shaped by disciplined music educators, to high-level preparation through a talent development program, to the intense excellence and isolation of the Curtis Institute of Music. Along the way, we unpack the invisible advantages that shape auditions and careers: knowing what a panel listens for, learning the unwritten rules, getting the right coaching early, and building social capital that opens doors. We also talk frankly about gatekeeping versus stewardship and what it means to invite someone to the table when they’re not already in your circle.From there, we get practical about solutions. Stanford breaks down the Play On Philly model inspired by El Sistema and why long-term, high-intensity, tuition-free ensemble training can be transformative. He explains Equity Arc’s focus on rigorous musical preparation paired with identity-affirming mentorship, including how musicians learn to interpret feedback, persist through bias, handle rejection, and prepare for the real decision points that determine who reaches orchestra finals and who falls off the pipeline.If you care about music education equity, diversity in classical music, orchestra auditions, and building fellowship programs that produce measurable outcomes, this conversation is for you. Subscribe, share this episode with a musician or educator, and leave a review. What part of the classical music pipeline most needs to change next?For more information on Stanford: https://www.stanfordthompson.com/You can also find Stanford on Facebook and Instagram: @sltstanfordIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

March 6, 2026Episode 529 min

"Bach from the Land of the Haka" - An Interview with Cellist Inbal Megiddo, Associate Professor, New Zealand School of Music

A tiny sixteenth-size cello, a stubborn toddler, and a violin shop tantrum, that’s how this story begins. From there, Inbal Megido grew into an international soloist and chamber musician, studied with the legendary Aldo Parisot at Yale, and ultimately built a rich artistic life in Wellington, New Zealand. We explore how a childhood steeped in music became a fluent language, how cross-continental moves shaped identity, and why a liberal arts education can sharpen a performer’s ear and mind as much as hours in the practice room.The heart of our conversation centers on voice and freedom. Inbal pulls back the curtain on recording the Bach Cello Suites, pushing past the fear of “another” recording to claim an honest, improvisatory approach. With sources that are copies rather than Bach’s autograph, bowings and phrasing become choices rather than commandments. She records movements as living arcs, keeps tempo flexible, and treats character as compass. When pandemic logistics forced a total re-record, stamina and tension-free technique became essential tools—proof that process is as musical as product.We also get practical. Inbal explains how partnering with Larsen Strings helped her balance brightness and warmth across registers, mixing Arioso, Magnacore, and Il Cannone Direct-Focus to solve a persistent D–A mismatch. She shares how Wellington’s scene, small but mighty, offers students real gigs, close mentorship, and a culture eager for new music. And her advice to young musicians cuts through noise: learn how to practice, cultivate interests beyond the practice room, protect your reputation, question assumptions, and build a career that fits your authentic voice rather than a borrowed template.If you enjoy deep dives into craft, pedagogy, and the choices that shape a musician’s sound and life, you’ll feel at home here. Subscribe, share with a friend who loves Bach or the cello, and leave a review with your biggest takeaway—what part of your musical life are you ready to rethink?For more information on Inbal: https://www.inbalmegiddo.com/You can also find Inbal on Facebook and Instagram: @inbalmegiddoIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

February 20, 2026Episode 435 min

"Sit Happens: From Suzuki to Systems" - An Interview with Cellist Melissa Kraut, DePaul University School of Music

A seven-year-old chooses the cello because “you get to sit,” and decades later becomes a sought-after pedagogue who reshapes how students think about practice, expression, and careers. That’s the arc that The Cello Sherpa Podcast host, Joel Dallow, explores with cellist and educator Melissa Kraut, equal parts heart, humor, and hard-won clarity.We dive into the early thrill of playing by ear and the long road to loving theory, including candid stories about faking through parts and finally discovering how analysis deepens expression. Melissa explains why Suzuki training transformed her teaching, giving her a surgeon’s eye for root causes: when an advanced player stalls, she can trace the issue to its origin and rebuild from first principles. Along the way, mentors like Alan Harris and Hans Jorgen Jensen model how systematic thinking liberates phrasing, color, and timing rather than boxing them in.The conversation widens to what it means to teach now. Melissa shares how raising a daughter on the spectrum reframed her communication: if the student can’t demonstrate understanding, the language must change. She “takes the temperature” at every lesson, pairs high standards with genuine kindness, and treats misses as information instead of verdicts. We talk about the pressures of social media, the myth of perfection, and practical strategies for separating identity from outcome so players can do deep, focused work without self-punishment.Shifting from the Cleveland Institute of Music to the DePaul University School of Music, Melissa unpacks the differences between a pure conservatory and a conservatory mindset within a university. Chicago’s rich ecosystem, symphonic partnerships, chamber culture, and a wider campus life, offers students fresh ways to grow. And for anyone wrestling with career decisions, Melissa’s advice is grounding: start with a small “why,” let it evolve, and build your path step by step. Talent gets you moving; clarity, systems, and connection keep you climbing.If this resonates, follow the show, share it with a friend who needs a nudge, and leave a quick review to help others find us. What’s your why right now?For more information on Melissa: https://www.melissakraut.com/You can also find Melissa on FacebookIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com

February 6, 2026Episode 336 min

"In Time and In Tune" - An Interview with Cellist Ilya Finkelshteyn, Principal of the Cincinnati Symphony Orchestra

What does it really take to move from a childhood in a Soviet special music school to the principal chair of a top American orchestra? The Cello Sherpa Podcast Host, Joel Dallow, sits down with Ilya Finkelshteyn to trace that journey, through refugee camps, early months in Minnesota with two suitcases and $300, a total technical rebuild at Juilliard with Harvey Shapiro, and a relentless audition circuit that demanded both resilience and precision.Ilya opens the curtain on how committees actually listen. The first-round filter isn’t mystery or style, it’s consistent intonation, reliable rhythm, and clear dynamic contrast. He shares the training habits that hold up under pressure: drones and tuners to expose tendencies, perfect intervals that must truly lock, open-string checks, and practicing in resonant spaces to hear pitch “hang” in the air. He even offers a pragmatic safety net for intervals when adrenaline spikes, an approach that protects musical integrity without freezing expression.We also dig into leadership from the first stand. Ilya’s philosophy is simple and demanding: orchestra is chamber music writ large. He asks for active playing across the section, minimal talking from him to the section, sharp listening, and smart energy management. It took more than seven years to feel fully at home in the chair, long enough to cycle the core repertoire and learn when to blend and when to step out. Along the way, he makes a case for sustainable careers: secure an institutional “address” for stability, then build a rich mix of orchestra work, chamber music, solo spots, and teaching.If you care about orchestra auditions, cello technique, or the realities of principal leadership, this conversation delivers practical steps, hard-won insight, and a clear path you can apply today. If it resonates, follow the show, share it with a friend, and leave a quick review—what’s the one practice change you’ll make this week?For more information on Ilya: https://www.ilya-finkelshteyn.com/You can also find Ilya on Facebook and Instagram: @ilfink1217If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com