Digital Afterlife: Hollywood and AI Tech

Hosted by Ginger Liu

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Oct 2026

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About the show

Explores the latest news in Hollywood's AI-driven tech and film industry disruption, exploring the latest trends, startups, and research in AI entertainment and media. Digital Afterlife News explores digital afterlife technology and startups. Ginger Liu: Founder of Ginger Media & Entertainment, a creative consultancy focused on promoting Hollywood and international film, AI film tech, and AI visual media. She is a multimedia journalist, MFA-trained artist, and AI visual media researcher. entertainment@gingerliu.com

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October 21, 202612 min

Entertainment and AI News

YouTuber Gossip Goblin’s Gods Don’t Give Gifts, produced by Edward Saatchi’s Fable, is heading to theaters and an Academy Awards campaign, while Genies and United Talent Agency are bringing AI avatars to celebrity fan engagement. Disney is also moving to acquire assets from bankrupt AI chatbot company Character.ai, positioning itself to expand its AI-driven audience and entertainment strategy. At MIPCOM Cannes, YouTube, streaming services, FAST channels and AI took on a larger role in the international content market, with new programs focused on monetization, digital distribution and AI production. VFX veteran Hong Jae Cheol argued that AI-native studios can develop original intellectual property, even as established studios retain advantages in franchises, talent and distribution. And Fox Nation entered the space with Houdini: Back from the Dead , a three-part AI-generated series about Harry Houdini produced by Red Rock Films. Ginger Liu is the founder of Hollywood film and AI consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

October 14, 202610 min

Entertainment and AI News

Seedance 2.5 and the Next Generation of AI Video Creation, Chinese AI Short “Website” Wins Two Awards at Venice, AI Is Deflating Hollywood’s Microdramas Scene, and other news. AI Is Deflating Hollywood’s Microdramas Scene AI-generated vertical videos are disrupting Hollywood’s microdramas boom, with major platforms like DramaBox, DramaWave, and FlareFlow increasingly embracing synthetic actors and settings. While live-action microdramas typically cost $100,000 to $300,000 and require 50 workers over seven days, AI projects can be completed by five people in two weeks for $60,000 to $100,000. Some apps claim 20- to 30-minute AI projects can be made for as little as $1,000 to $3,000. The shift has devastated employment for Los Angeles-area cast and crew who saw verticals as a lifeline after the 2023 Hollywood strikes. Beyond job losses, the rise of AI microdramas has sparked consent issues. Actors reported platforms using their performances and likenesses in fully AI projects without permission, while some ads feature sexualized scenes and dialogue never filmed or cleared with performers. Talent manager Maddie Grove said she’s seen platforms breach actors’ contracts four times since June. Writer-actor Tess Dinerstein learned that an AI show adapted her pirate-themed script despite her objections. Ginger Liu is the founder of Hollywood film and tech consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

October 6, 202615 min

Entertainment and AI News

Hollywood’s AI arms race is intensifying as legacy studios and tech upstarts race to embed generative tools across the entertainment pipeline. Netflix, Amazon MGM, and Lionsgate have appointed AI executives, with Netflix reporting that roughly 300 titles use generative AI after its nearly $600 million acquisition of Ben Affleck’s InterPositive. At the same time, companies like Particle 6, Higgsfield, and Runway are pushing AI into production workflows, from AI-led features to creator festivals. The surge is global. iQIYI launched a professional AI filmmaking challenge, while Kazakhstan’s Astana AI Film Festival became the world’s largest AI cinema competition with more than 8,000 entries and a $1 million prize pool. Yet adoption remains contentious. CapCut’s AI festival at TIFF drew sharp criticism from filmmakers who view generative models as exploitative, and an unauthorized Billy Joel AI documentary has reignited legal and ethical debates over likeness rights and authenticity. Meanwhile, AI audio and immersive storytelling took center stage at Venice and the London Film Festival. Ginger Liu is the founder of Hollywood film and tech consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

September 30, 202612 min

Entertainment and AI News

Generative AI in Movies Market Set to Double by 2030, Pixverse Builds Creator Economy for AI Video With Monetization Push, Stivio Debuts Image-to-Video AI Generator With Six Models Generative AI in Movies Market Set to Double by 2030, Pixverse Builds Creator Economy for AI Video With Monetization Push, Stivio Debuts Image-to-Video AI Generator With Six Models, AI Documentary “Be Brave” Pushes Cinema Boundaries at Venice, and other news. Studios and streamers are scaling microdramas as a core vertical. Variety’s Entertainment and Technology Summit focused on fan economies and consumer strain. The global market for generative AI in movies is projected to reach $1.03 billion by 2030. Pixverse launched monetization tools so creators can earn from AI-generated video. Stivio introduced a new image-to-video generator with six models. James Cameron’s Lightstorm Vision acquired AI 3D company Outsyders. At the Venice Film Festival, the AI-assisted documentary Be Brave tested synthetic footage in mainstream cinema. OpenArt CEO Coco Mao said AI will enhance rather than replace live production for now. Ginger Liu is the founder of Hollywood film and tech consultancy ⁠Ginger Media & Entertainment⁠ , a ⁠j⁠ ournalist and ⁠researcher⁠ on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast ⁠Digital Afterlife: Hollywood & AI Tech⁠

September 22, 202614 min

Entertainment and AI Tech News

In this week’s Entertainment and AI Tech News, Google is reportedly in talks with Hollywood studios to license film and television libraries for AI training. No formal agreements have been reached with Disney, Warner Bros. Discovery or Universal, amid ongoing copyright, legal and labor concerns. Amazon Web Services and Amazon MGM Studios unveiled a generative AI film fund and production platform for emerging filmmakers. The first all-AI FAST channel also launched on Roku, while Flick released 17 short films from its summer residency. Tripo AI raised $415 million to scale its 3D-native foundation models. Utopai Studios expanded its AI-native slate with five titles scheduled for release in 2027. Amazon Prime Video will introduce AI-powered lip-syncing for dubbed episodes of “Maxton Hall” Season 3. The Hollywood Creators Coalition launched its industry-focused Standards & Definitions Project to quantify AI’s impact across entertainment jobs. Camelback Productions outlined plans for a $6 billion to $12 billion AI-powered production and entertainment complex in Arizona. Meanwhile, former Telepool CEO Yoko Higuchi-Zitzmann and AI filmmaker Mark Wachholz launched Dreamkite Studios in Germany to develop premium AI-first and hybrid productions. Ginger Liu is the founder of Hollywood film and tech consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

September 15, 20268 min

Entertainment and AI Tech News

AI-Native Studios Reshape Hollywood as Directors Split on Tech, Microdramas Surge as AI and Hollywood Bet on Vertical Video, AI-Native Films Find New Home in Dedicated Festival Circuit and other news. Anyone with a soft spot for the 1990s indie film boom will recognize the same energy in today’s AI filmmaking wild west. Back then, cheaper cameras and new distribution channels let outsiders tell stories the studios wouldn’t touch, until indie itself became too expensive for truly independent voices. Now, filmmakers, documentarians, writers, and other creative artists shut out of even the lower tiers of indie financing are building their own projects with AI as a creative tool. For the first time in years, indie film feels accessible again. AI’s footprint in film and TV is widening. Studios and startups are using generative tools to build environments, trim budgets by 20–50%, and back projects traditional financiers won’t touch. A new circuit of AI-focused festivals is offering real prize money and fast, disclosure-heavy submission processes for work that legacy festivals still won’t fully embrace. Microdramas are becoming one of the sector’s few growth areas, with U.S. revenue on track for $1.5 billion this year and per-user engagement ahead of Netflix. And a $1 billion AI studio is betting that an animated feature about a serious fart can prove AI can carry long-form, story-driven content. Ginger Liu is the founder of Hollywood PR consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

September 8, 202619 min

Entertainment and AI Tech News

WildBrain Buys Personality AI for $11M, Higgsfield AI Releases 110-Minute Feature “The Cully Hill Boys” in Four Weeks, Hollywood’s creator boom creates ownership disputes, COL AI Studios Launches to Scale IP Across Formats and Global Markets, MPA and ByteDance Agree Framework to Protect Film and TV IP in AI Models, and other news. Hollywood and the global entertainment industry are moving quickly to define how generative AI fits into production, distribution, and audience engagement. This week’s roundup covers major deals and frameworks shaping that shift: WildBrain’s $11 million acquisition of Personality AI to build licensed, kid-safe interactive characters; m25’s appointment of AiCandy as the first dedicated AI film production partner in Asia Pacific; and a secret Hollywood coalition’s release of a “ Human Generative Workflows ” framework aimed at keeping humans in control of creative decisions. At the same time, AI-native content is gaining scale and visibility. Higgsfield AI has released a 110-minute, fully AI-generated feature, “ The Cully Hill Boys ,” while an AI-generated Chinese short has topped Bilibili with a story focused on people rather than spectacle. In India, VFX and AI are reshaping mythological cinema, and new AI film festivals are emerging as a dedicated circuit for generative work. Business and rights issues are also intensifying. The Motion Picture Association and ByteDance have agreed on an IP-protection framework for AI models, the American Film Market is adding an AI and tech hub, and studios’ push into creator-born IP is sparking ownership disputes. Together, these developments map a fast-evolving landscape where AI is becoming a standard part of the toolkit, even as the industry debates guardrails, authorship, and who controls the next generation of content. Ginger Liu is the founder of Hollywood PR consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

September 1, 202618 min

Entertainment and AI Tech News

In this week’s Entertainment and AI Tech News — Yoroll’s AI Odyssey turns Homer’s epic into a playable, branching film built in two days on a ~$250 budget, while independent channel IncredibleXvision has crossed 10,000 YouTube subscribers with AI-generated shorts, suggesting synthetic content can build repeat audiences, not just one-off virality. On the studio side, Warner Bros. is facing significant backlash after promoting The End of Oak Street with an AI-generated dog podcast, a campaign many viewers say made them less likely to see the Anne Hathaway and Ewan McGregor thriller. AI is reshaping production and policy: Roku added a 24-hour AI channel via Fairground to its FAST lineup; Autodesk is rolling out 3D controls in Flow Studio for finer command over AI scenes; Brad Pitt argues AI could revive mid-budget films if used as a cost-saving tool rather than a performer replacement; Chinese models like MiniMax’s Hailuo 3 and ByteDance’s Seedream 5.0 are reigniting Hollywood’s copyright concerns; SAG-AFTRA is pushing back on weakening performer protections around digital replicas; the EU has begun enforcing transparency rules requiring clear labeling of AI-generated or significantly altered content; and Internet Cinematic’s new India–Japan AI film studio in Tokyo signals growing cross-border collaboration aimed at making ambitious filmmaking more accessible while keeping human artists central. Ginger Liu is the founder of Hollywood PR consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

August 25, 202615 min

Digital Afterlife AI News

Digital replica APIs market projected to reach $2.4 billion by 2036, South Koreans use AI videos to remember deceased loved ones, China curbs AI companions as tech companies limit chatbot features Artificial intelligence companies are expanding digital replica technology across business, marketing and bereavement services, as developers build systems that can generate personalized videos, simulate emotional conversations and recreate deceased loved ones. The digital replica APIs market is projected to grow from $145 million in 2026 to $2.4 billion by 2036, according to Fact.MR. The expansion is bringing new scrutiny from regulators and researchers. China has introduced restrictions on AI companions that encourage emotional dependency, while studies and emerging services are examining whether replicas of deceased people can comfort mourners without creating new risks involving consent, privacy and emotional attachment. Ginger Liu is the founder of Hollywood PR consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech

August 20, 20268 min

Entertainment and AI Tech News

Europe’s AI funding is surging, with capital concentrating in a handful of breakout startups and the U.K. pulling ahead as the region’s leading market. At the same time, AI is moving deeper into entertainment production, with digital twins, generative video and VFX tools reshaping how film, TV, gaming and live experiences are made. The result is a clear picture of an industry shift: investment is accelerating, a small number of companies are capturing most of the money, and AI is spreading from model development into the workflows that power content creation and distribution. AI in VFX market set to top $1.07 billionDigital Twin in entertainment market set for rapid growthEurope’s AI funding boom is led by the U.K. as investment spreads across the regionGenerative AI in movies market set to reach $1.03 billionMIPCOM Cannes adds microdramas to 2026 agendaGinger Liu is the founder of Hollywood PR consultancy Ginger Media & Entertainment , a j ournalist and researcher on technology and entertainment, an MFA photographer and filmmaker, and host of the podcast Digital Afterlife: Hollywood & AI Tech