
Finding an agent and letting someone read my book
Finding an agent and letting someone read my book Welcome to The Business of Psychology. This is a short series to let you behind the curtain on my journey to publishing my first book, You Are Doing Enough. I'm not doing this as a polished, look how easy this was, success type story. I'm doing it because I know so many of you listening are therapists and psychologists who have your own book idea sitting somewhere, and I really want you to hear what the process has actually been like, and my tips for getting that book out of your head and onto the page. This is part three of our miniseries about writing and publishing my first book, You Are Doing Enough, which is open for pre-orders at the moment. I have felt really self-indulgent doing this series, because it's kind of like interviewing myself when I quite like interviewing other people about their books and their achievements. I really hope that it's been useful for you to hear some of the internal processes that go on leading up to publication, and I just wanted to reiterate that I'm really sharing this because there was such a big part of me before I actually wrote the book that didn't believe that somebody like me could write a book that would be traditionally published. I didn't think I had it in me to write something this long and this complete. And I also wasn't sure I had it in me to be as vulnerable as writing a book made me feel. I'm going to talk a bit more about that today, because if you've been following along with this journey, we're at the point where I decided that the book might be interesting enough to be traditionally published, and that meant that I had to go about seeking representation for the book. Full show notes for this episode are available at The Business of Psychology Rosie on Instagram: @rosiegilderthorp @drrosiegilderthorp Pre Order You Are Doing Enough and get access to Get Your Book Published with Louise Buckley Click here to pre-order You Are Doing Enough Pre-ordering now gets you a ticket to Get Your Book Published with Louise Buckley (literary agent) live on 6th November at 11:30 (replay available); just fill in this form after purchasing: https://psychologybusinessschool.mykajabi.com/offers/rGsNE9iF Why you should get a literary agent if you want your book published by a traditional publisher If you want a book to be published by a traditional publisher in the UK, like Penguin, Little Brown, Routledge etc, it is highly recommended to reach out to literary agents and gain representation from an agent to broker your relationship with that publisher. We will be holding a webinar with my literary agent, Louise Buckley from Hannah Shepherd Literary Agency, where she will tell you much more about how this relationship works. But what I do know is that an agent collaborates with you to make sure that the book is in the best shape possible before they do what's called going out on submission; submitting it to editors at the publishers, to try and get a publishing deal for you. The reason it's a good idea to have an agent rather than doing it yourself, is that agents are skilled at understanding the market, knowing what's selling, and what publishers are excited about. They can help you put together a pitch for your book that is likely to be really enticing to the publisher, knowing what they know about the market. It'd be very difficult for you to get that expertise yourself. I know some people have done it, but I think that would be a real challenge. You're much more likely to get a better deal (or get a deal at all) through an agent than you would be going directly to a publisher. Most publishers don't accept submissions that don't come from agents anyway. Some agents, and Louise is one of them, will also work with you developmentally on the manuscript for your book. They'll make it a better book with you before you go out on submission to give you that best chance, which was something that was really important to me, and that's one of the reasons I chose Louise. If you want that kind of support, finding an agent who offers that is really helpful. The other reason is financial. Louise and agents like her know the industry really well, and they're skilled negotiators. They will negotiate the contract for you with the publisher and make sure that you get the best advance that you can get, but also the best rates for things like royalties. Louise is going to talk more about that in our webinar, but those are the reasons that you should look for an agent and why I was thinking I should start looking for an agent when I got to the end of writing the first draft of the manuscript for You Are Doing Enough. Finding an agent It was early November, and I was putting the finishing touches to what I called my first draft of You Are Doing Enough. I had rewritten every chapter many times in the process of writing it. I'd finished a manuscript that I was reasonably happy with, which I was calling a first draft, but in reality was probably more like draft four or five. I was starting to think, "Ok, I understand that I need an agent." So I got out a book called 'The Writers' and Artists' Yearbook', and I started going through it to see what agents potentially represent the kind of nonfiction that I was writing, which is more narrative nonfiction rather than a textbook, because it's important to find an agent who is excited about the kind of book that you're writing and is looking for books like yours already. Because agents receive so many submissions, it really frightened me. Louise said they can receive 1000 a week. Good agents like Louise will read all their submissions, but they have to apply quite a quick filter to whether it looks like a good fit for them. I knew that if you were sending in letters to agents who weren't looking for the kind of book that you were writing, that you would never hear back from them, because they don't have the ability to get back to 1000 people a week. So I knew it was important to find the right person for the book, and I was also terrified about sharing the work with somebody that might not understand the story or wouldn't understand why it was important. If you've ever poured your heart and soul into something that you've worked on for a long time, which I know most of you will have, you know how vulnerable it feels submitting it for feedback. I'd never written a book before, there's going to be loads of feedback, some of it will probably be really difficult for me to hear. I want to be hearing it from somebody that I know has the same values as me, so I can put my trust in that person to help me shape this into the kind of book that I want it to be in the world. I was looking in the Writers' and Artists' Yearbook, because that's what I'd been told was the right thing to do to find an agent. I was also doing a bit of Googling, and to be honest, I just felt lost. I didn't understand a lot of the terminology that was being used, I couldn't work out what genre I was really writing in. Was it nonfiction, narrative nonfiction? I didn't really get it, and I couldn't work out whether I would connect with any of these agents, so I was starting to get into that overwhelmed place that I know is familiar to many of us when we're jumping into something that feels uncertain and unknown. I'd planned to procrastinate until January, because I felt like it was a decision I wasn't going to be able to make that side of Christmas, and I didn't want to push myself to do it. Then I logged on to my Substack, where I'd started writing a bit about SEND parenting, almost as an experiment, to see whether I really was okay with putting this stuff out there. I was just having a scroll through the feed on there, and I saw a post from a literary agent called Louise Buckley, who was demystifying publishing. Louise does Q&As on there, and she’d written a really helpful article about what an agent needs to see from you. And I was like, "Oh, that's brilliant" because I have felt completely mystified by the world of publishing. So I gave her a follow. And then I clicked through to her website on the Hannah Shephard site and noticed that in her section where she describes what books she's looking to represent, it was like she was literally describing my book. I think it was something like, she was looking for nonfiction from psychologists and had a particular interest in neurodiversity, something like that. And I felt like the universe might be giving me a sign. So I decided to send in my manuscript to Louise, and very helpfully, because Louise is quite passionate about helping people who might not naturally understand how publishing works, she has loads of really helpful resources on her website that explain what you need to submit and exactly how to do it; templates, the letter you need to send (a query letter), your proposal for a nonfiction book, and your sample chapters. What exactly you need to send, what needs to be in it, and how to make it good. I followed all of her...





