
Who Owns the Show When a Production Company Makes It?
SUMMARY White-label podcast production puts a client's name on a show and leaves the production company's name off it. Somewhere in between, a contract is supposed to say who owns what. Often it doesn't, or it says something that sounds settled and isn't. This episode is for both sides: companies that make shows for others, and the clients who pay for them. FIVE TRAPS 1. Background IP. Separate show materials (episodes, branding, art made for this client) from company materials (templates, tools, methods used across clients). Give the client a license that survives termination for anything built into the show. Formats are hard to protect under copyright, so settle them by contract. 2. The subcontractor chain. The company can only transfer what it holds. Get a written assignment from every freelancer before work starts and keep a contributor list. Hosts belong in the chain too. 3. Third-party licenses. Music, stock, fonts, tools and AI terms are often in the company's name and may not transfer. Attach a schedule listing each element, whose license it falls under, whether it transfers, and who bears the risk if it wasn't cleared. 4. Credit and portfolio rights. Decide up front whether the company can show the work, name the client, or use a clip, and whether the client wants category exclusivity. 5. How and when the company gets paid. Define "delivered" and "approved," use objective acceptance criteria, set revision rounds and deemed acceptance, and make the assignment effective on payment in full with a limited interim license (or transfer milestone by milestone). Don't hold the RSS feed or accounts hostage. Clients should secure source files and rights to paid-for work if the company folds. TAKE-AWAY CHECKLISTS Companies: separate show vs. company materials; collect freelancer assignments first; know whose name each license is in; transfer ownership on payment. Clients: request a schedule of non-original elements, a contributor list, confirmation that assignments exist, and delivery terms for source files. Both: a one-page rights schedule attached to the agreement. COMING UP California's treatment of "work made for hire" language and freelancers, and who employs a show's host, get their own episode later this season. WORK WITH ME If you're building or signing a white-label production agreement, reach out to schedule a consultation with me: https://gordonfiremark.com Creator Business Protection Blueprint: https://gordonfiremark.com/blueprint DISCLAIMER General information only, not legal advice. Hypotheticals in this episode are illustrations, not specific clients.










